Vinicius Atique

Vinicius Atique

Lyric Baritone

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«In his role as Marcello, Vinicius Atique showed the expressiveness, power and matisses required by the character, with a clear and powerful emission, with full acting domain.»
Eduardo Balestena - Associacão de Críticos Musicais da Argentina (2018)
«Vinicius Atique was an interesting Marcello both in the dramatic and in the vocal aspects and, in this section has merits to highlight: a surpluss of volume, a very gratifying timbre and a lot of expressiveness that were revealed in each of his interventions.»
Prof Christian Lauria - Opera World revista de ópera internacional (2018)
«The choosing of the soloist for this work is beyond complex. It requires a singer with resilient enough to stay an hour and twenty minutes onstage singing without any breaks. To add some more difficulty, on this staging from São Paulo Opera House, he had to sing lying down, dancing, acting and walking up and down the stage all the time. This herculean task was accomplished with honors by baritone Vinícius Atique. He has shown a voice at the pinnacle of development: clear, pure and showed a voice with a unique timbre. He has transformed the harshness of the german language into lyric poetry. He has Acted and paraded with an unmatched talent, in the most soft parts, he looked like a Jesus Christ with his long mane of hair. Vinícius Atique, the best chamber music singer in Brazil.»
Ali Hassan Ayache - Blog Ópera & Ballet (2018)
2017Schubert: WinterreiseSoloist
2017Busoni: ArlecchinoSer Matteo Del Sarto
2016Mozart: Don GiovanniDon Giovanni
2016Janáček: JenůfaMayor
2015Rossini: Il Barbiere di SivigliaFigaro
2015Tchaikovsky: Eugene OneginEugene Onegin
2015Strauss J.: Die FledermausGabriel von Eisenstein
2014Puccini: La BohèmeMarcello
2014Bizet: CarmenEscamillo
2014Puccini: Madama ButterflySharpless
2014Puccini: Madama ButterflySharpless
2014Verdi: RigolettoCount Monterone
2014Verdi: RigolettoMarullo
2014Beethoven: Symphony No. 9, Op. 125, D minorSolo
2013Puccini: La BohèmeMarcello
2013Bizet: CarmenEscamillo
2013Britten: A Midsummer Night's DreamStarveling
2013Menotti: The TelephoneBen
2013Haydn: Die Schöpfung (The Creation)Raphael and Adam
2013Berio: SinfoniaBass 1
2012Bellini: I PuritaniSir Riccardo Forth
2012Massenet: WertherAlbert
2012Mahler: Des Knaben WunderhornBaritone
2011Poulenc: Dialogues des CarmélitesLe Geollier
2011Prokofiev: The Love for Three Oranges, Op. 33PANTALON
2011Ravel: L'enfant et les sortilègesThe Cat
2011Ravel: L'enfant et les sortilègesThe Cat
2011Orff: Carmina BuranaBaritone
2011Orff: Carmina BuranaBaritone
2010Gounod: Roméo et JulietteMercutio
2009Handel: Messiah, HWV 56BASS SOLO
2008Handel: Messiah, HWV 56BASS SOLO
2008Haydn: mass in B minorAll bass parts
2008Mahler: KindertotenliederBaritone
2008Mozart: RequiemBass
2007Bach J.S.: Weihnachtsoratorium, BWV 248 (Christmas Oratorio)All bass parts
2007Ramirez: Missa CriollaAll bass parts
2006Orff: Carmina BuranaBaritone
2005Meyerbeer: DinorahHoël
2004Mozart: Cosi fan tutteGuglielmo
2000Strauss J.: Die FledermausGabriel von Eisenstein

Bio



Currently studying with the mythic mezzo-soprano Dolora Zajick, was awarded a scholarship by the University of São Paulo (USP) to study voice at the Université de Montréal under the guidance of the baritone Mark Pedrotti. Vinicius has also studied with Eliane Coelho and Carmo Barbosa.

Baritone Vinícius Atique has performed as a soloist all over Brazil, having sung, among other roles, Don Giovanni, Marcello in La Bohème, Sharpless in Madama Butterfly, Escamillo in Carmen, Fìgaro in Il Barbiere di Siviglia, the title role in Busoni’s Arlecchino, Albert in Werther.

He sang Mahler’s “Des Knaben Wunderhorn” and “Kindertotenlieder”, and Orff’s Carmina Burana with the Amazonas Philharmonic; Händel’s Messiah, Haydn’s Theresienmesse, Bach’s Weihnachtsoratorium, Mozart’s Requiem, Pablo Casals’ El Pessebre, Fauré’s Requiem, among other symphonic works. 

Vinícius made his São Paulo Opera House debut in 2011 as the the Grandfather Clock and the Cat in Ravel’s L’enfant et les sortilèges. A success of public and considered the best vocal piece of the year. Soon after, he made his début at Rio de Janeiro’s Opera House as Pantalon in Prokofiev’s L’amour des Trois Oranges, considered by the newspaper O Globo as one of the 10 best classical music performances of 2011. On his last concert of the year, he closed the Season of São Paulo Opera House singing the Evangelist at Ernani Aguiar’s Cantata de Natal, obtaining outstanding reviews.

During the 2012 season he gave life to Riccardo in I Puritani and was Marcello in La Bohème, having sung this role over 40 times. In november of the same year, as he sang his last opera of 2012, he was Albert in the Theatro São Pedro’s new production of Jules Massenet’s Werther.

In the 2013 season, he was Starveling in the brazilian premiere of Britten’s A Midsummer Night’s Dream at Rio de Janeiro Opera House and the brazilian premiere of the controversial Sinfonia by Luciano Berio. He was also Raphael and Adam in the oratorio The Creation by Joseph Haydn.

In 2014 he has made his debut as Sharpless in the new production of Madama Butterfly at Theatro São Pedro with the Opera Curta Company and early 2015 he has made his debut as Fìgaro in The Barber of Seville and as Gabriel von Eisenstein in Die Fledermaus under the baton of Roberto Minczuk.

In the 2016 season, he debuted as Silvio in I Pagliacci and Don Giovanni as the title role in Mozart’s opera.

2017 brought Vinícius the honour of singing the role of Starek in the brazilian premiere of Janácek’s Jenufa, version Brno at Rio de Janeiro Opera House and, in may 2017 he starred Schubert’s Winterreise at São Paulo Opera House choreographed by Ismael Ivo, being acclaimed by the critics as the best chamber singer in Brazil. In August, he starred as the title role Arlecchino in Busoni’s Arlecchino, conducted by Ira Levin at Theatro São Pedro in São Paulo.

In the 2018 season he will sing Bernstein’s Trouble in Tahiti at Sala Minas Gerais, under the baton of Fabio Mechetti; Janácek’s Katia Kabanová at Theatro São Pedro, La Bohème at Teatro Colón, em Buenos Aires, and Turandot in São Paulo Opera House.


Opera RepertoireBellini - I Puritani - RiccardoBerg - Lulu - JournalistBizet - Carmen - DancaïreBritten - A Midsummer Night’s Dream - StarvelingDebussy - Pelléas et Mélisande – PelléasDonizetti - Don Pasquale - MalatestaDonizetti - L'elisir d'amore - BelcoreGounod – Faust - ValentinGounod - Romeo et Juliete - MercutioLeoncavallo – Pagliacci - SilvioMassenet - Werther - Albert / JohannMassenet – Herodiade - HerodesMenotti – The Telephone - BenMeyerbeer - Dinorah - HöelMozart - Così fan Tutte - GuglielmoMozart - Le Nozze di Figaro – Conte di AlmavivaMozart - Don Giovanni – Don GiovanniMozart - Die Zauberflöte - PapagenoPoulenc - Dialogue des Carmélites - Le GeolierProkofiev - L’amour des trois oranges - PantalonPuccini - La Bohème - MarcelloPuccini - Madama Butterfly - SharplessRavel - L’Heure Espagnole – RamiroRavel - L’enfant et les sortilèges - Grandfather Clock / CatRossini - Il Barbiere di Siviglia - FìgaroRossini - La Cenerentola - DandiniStrauss - Die Fledermaus - EisensteinTchaikovsky - Eugene Onegin - OneginVerdi - Falstaff - FordVerdi - Don Carlo - RodrigoVerdi - Rigoletto - MarulloVerdi - Rigoletto - Monterone Symphonic RepertoireBach - Matthäus PassionBach - WeihnachtsoratoriumBeethoven - 9th Symphony Berio - SinfoniaHändel - MessiahHaydn - Missa em B menorHaydn - Die SchöpfungMahler - KindertotenliederMahler - Des Knaben WunderhornMozart - RequiemOrff – Carmina BuranaPablo Casals - El pessebrePe. José Maurício N. Garcia - Missa de Santa CecíliaPe. José Maurício N. Garcia - Missa Pastoril para Noite de NatalRamirez - Missa Criolla Chamber RepertoireFauré - 5 Mélodies de VeniseMontsalvage - Cinco Canciones NegrasRavel - Don Quichotte a DulcinéeSchubert - SchwanengesangSchubert - WinterreiseV.Williams - Songs of Travel


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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Puccini: La Bohème Marcello Immediately Teatro Colón 2018
Janáček: Kát'a Kabanová Kuligin Immediately Teatro São Pedro 2018
Puccini: Turandot Ping Immediately Theatro Municipal de Sao Paulo 2018
Schubert: Winterreise Soloist Immediately Theatro Municipal de Sao Paulo 2017
Busoni: Arlecchino Ser Matteo Del Sarto 1 week Teatro São Pedro 2017