Sabine  Revault d'allonnes

Sabine Revault d'allonnes

Lyric Soprano

Lyric soprano
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«"Sabine Revault d'Allonnes is a true revelation: (...) this young artist shines as Giuletta, thanks to her delicate presence, her layered musicianship, her simmering sensibility, and her moored technique. We foresee the bright future that awaits her in the Romantic Bel Canto Repertoire."»
Resmusica.com (2017)
2017Tchaikovsky: Eugene OneginTatyana
2017Mozart: Cosi fan tutteFiordiligi
2017Puccini: La BohèmeMimì
2017Mozart: Le nozze di FigaroContessa d'Almaviva
2016Bizet: CarmenMicaëla
2016Mozart: IdomeneoElettra
2016Donizetti: L'elisir d'amoreAdina
2016Franceschini: Milo et MayaMaya
2015Massenet: Don César de BazanMaritana
2015Verdi: La TraviataVioletta Valéry
2015Offenbach: Orphée aux enfersEurydice
2015Mozart: Don GiovanniDonna Elvira
2015Rossini: Elisabetta - regina d'InghilterraElisabetta
2013Mozart: Die ZauberflötePamina
2012Verdi: RigolettoGilda
2011Mozart: Le nozze di FigaroSusanna
2010Bellini: I Capuleti e I MontecchiGiulietta
2010Bizet: CarmenFrasquita
2009Lehár: Die Lustige WitweHanna Glawari
2008Mozart: Die ZauberflöteErste Dame (First Lady)
2005Humperdinck: Hänsel und GretelTaumännchen (The Dewman)
2005Humperdinck: Hänsel und GretelSandmännchen (The Sandman)

Bio

Sabine Revault d'Allonnes began her musical education by first studying the violin in France with Alexis Galpérine, Suzanne Gessner as well as Norbert Brainin, first violin of the Amadeus Quartet. She graduated from the CNR of Boulogne Billancourt (France) with two first prizes in violin and chamber music. Fascinated by singing at a very young, she chose voice as her musical path. She obtained her diploma in voice at the CNR of Aubervilliers (France) and won prizes in several competitions. In 2009 she received first prizes in Opera and French Melody at the Marmande International Opera Competition. On stage, she has performed an eclectic repertoire ranging from opera to operetta: in 2011, she sang Susanna in The Marriage of Figaro with Armando Noguera (Tours Opera Company, France). In 2010 she appeared on stage singing alongside such fine singers as Mireille Delunsch, in Fidelio, Beethoven, in the role of Marzelline and in Les Dialogues des Carmélites, Poulenc, singing the role of Soeur Constance alongside Karine Deshayes. Sabine made her debut in the role of Giulietta, Capuleti e Montecchi, Bellini, in the Tours Opera Company. Other roles include performing as Violetta, in La Traviata, Verdi; Belinda, Dido and Aeneas, Purcell; Pamina and the First Lady, The Magic Flute; Missia Palmieri, The Merry Widow, Lehar; Gabrielle, La Vie Parisienne, Offenbach. She performed in a 2009 production of Orphée aux Enfers, Offenbach for the Aix-en-Provence Festival. Sabine also performs as an Oratorio soloist. She participated in the production of Saintes Maries de la Mer, a world premier recording of this work by composer Emile Paladilhe. In 2009, she participated in the recording of the Heart of Mill, Déodat de Séverac under Jean-Yves Ossonce’s direction. Very fond of melody and lieder, Sabine regularly performs this repertoire in recital with pianists such as Romain David, François Dumont and François Kerdoncuff. She will soon record melodies by Massenet with pianist Samuel Jean for a CD produced by the label Timpani Records.
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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Tchaikovsky: Eugene Onegin Tatyana No 2017
Mozart: Cosi fan tutte Fiordiligi No 2017
Puccini: La Bohème Mimì Immediately 2017
Mozart: Le nozze di Figaro Contessa d'Almaviva No 2017
Bizet: Carmen Micaëla No 2016