Marian Pop

Marian Pop


The Show must go on!
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«"Those who wish to sing will always find a song"»
Sweedish Proverb (2016)
2018Lehár: Die Lustige WitweCount Danilo Danilovitsch
2018Hindemith: CardillacCardillac
2018Ponchielli: La GiocondaBarnaba
2017Verdi: La TraviataGiorgio Germont
2017Puccini: ToscaIl Barone Scarpia
2016Tchaikovsky: Eugene OneginEugene Onegin
2016Verdi: RigolettoRigoletto
2016Korngold: Die Tote StadtFrank
2016Kálmán: Die Herzogin von ChicagoJonny James Jacques Bondy
2016Gounod: FaustValentin
2015Weinberg: The PassengerTadeusz
2015Humperdinck: Hänsel und GretelPeter
2012Mozart: Le nozze di FigaroConte d'Almaviva
2006Verdi: Don CarloRodrigue
2006Rossini: L'Italiana in AlgeriTaddeo
2006Donizetti: Don PasqualeDottor Malatesta
2006Rossini: Il Barbiere di SivigliaFigaro
2005Rossini: Il Barbiere di SivigliaFigaro
2005Wagner R.: Tristan und IsoldeMelot
2005Mozart: Don GiovanniDon Giovanni
2005Strauss J.: Die FledermausDr Falke
2003Orff: Carmina BuranaBaritone
2003Rossini: Il Barbiere di SivigliaFigaro
2003Strauss J.: Die FledermausGabriel von Eisenstein
2003Wagner R.: Die Meistersinger von NürnbergSixtus Beckmesser
2003Verdi: Il TrovatoreIl Conte di Luna
2003Mozart: Don GiovanniDon Giovanni
2003Donizetti: L'elisir d'amoreBelcore
2000Rossini: Il Barbiere di SivigliaFigaro
2000Verdi: RigolettoRigoletto
2000Puccini: La BohèmeMarcello


As a permanent resident singer of Staatstheater Kassel, Marian Pop performed parts familiar to him including Marcello inLa Boheme, Gabriel von Eisenstein in&nbspDie Fledermaus and Figaro in Il barbiere di Siviglia, as well as new roles such as Scarpia inTosca and the title role in Verdi’s Rigoletto.   Hailed by the Oregonian for “a rich, agile voice and high notes that could nearly part your hair,” baritone Marian Pop’s performances in the 2008-2009 season included Figaro in Il barbiere di Siviglia and the Count in Le nozze di Figaro at the Teatro Municipal de Santiago, Dandini in La Cenerentola with Florida Grand Opera, the Black Cat and the Grandfather Clock in L’enfant et les sortileges in a return to Opera Company of Philadelphia. In coming seasons, he will revisit the title role of David di Chiera’sCyrano de Bergerac with Baltimore Opera. Mr. Pop created the role of Cyrano de Bergerac in the work’s world premiere at Michigan Opera Theatre and sang subsequent performances with Opera Company of Philadelphia in the 2007-2008 season. Last season, moreover, he returned to Theater Basel for Valentin in Faust and sang Carmina Burana with the St. Petersburg Philharmonia.   In recent seasons, Mr. Pop has joined Theater Basel for his role debut as Posa in Don Carlo as well as performing Lescaut inManon, Taddeo L’italiana in Algeri, and Prokofiev’s Pantalone in The Love for Three Oranges. A frequent guest at the Staatsoper Stuttgart, the baritone's numerous roles with the company have included his signature performances of Figaro in Il barbiere di Siviglia, plus Beckmesser in Die Meistersinger von Nürnberg, and Ulisse in Monteverdi’s Il ritorno d’Ulisse in Patria. With the Vienna Staatsoper and Volksoper, he has sung a variety of roles, including Malatesta in Don Pasquale, Dandini in La Cenerentola, Valentin in Faust, Ping in Turandot, Graf Homonay in Zigeunerbaron, and Dr. Falke in Die Fledermaus.   Among the baritone’s other international engagements were Carmina Burana for his South American debut with the Teatro Municipal in Chile, where he subsequently sang Brahms’ Requiem and Marcello in La Bohème. He has sung Malatesta in Don Pasquale with New Israeli Opera; Figaro in Il barbiere di Siviglia, the Count in Le nozze di Figaro and Dandini in La Cenerentola in Klagenfurt; additional performances of Figaro in Il barbiere di Siviglia and Dr. Falke in Die Fledermaus with Enschede Opera in Holland; Falke in Die Fledermaus in St. Gallen; Belcore in L’elisir d’amore in Klosterneuburg; Figaro in Il barbiere di Siviglia at Munich’s Staatstheater am Gärtnerplatz; and Marullo in Rigoletto at the Opera Bastille.   Mr. Pop made his North American debut as Malatesta in Don Pasquale with Portland Opera and has since rejoined the company for Figaro in Il barbiere di Siviglia. He has also sung Ping in Turandot with Cincinnati Opera, and Figaro in Il barbiere di Siviglia and Marcello in La Bohème with Michigan Opera Theatre.   In his native city of Cluj, Romania, Mr. Pop has assumed the title role of Mozart's Don Giovanni, Marcello in La Bohème, Der König inDie Kluge, Procolo in Donizetti’s Viva la Mamma, Dandini in La Cenerentola and has appeared in Tom Johnson's The Four-Note Opera. The baritone's oratorio credits in Cluj include Carmina Burana and the Fauré Requiem. Additional Romanian credits include Count di Luna in Il trovatore in Constanta.   Mr. Pop's concert performances have also included Mahler’s Symphony No. 8 in Bucharest and an "Aria Evening" in Bayreuth, Germany. He also participated in a tour of La Cenerentola and Viva la Mamma with the Musical Theatre of Brasov, which visited Austria, Germany, the Netherlands, and Great Britain with the Musical Theatre of Brasov.
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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Lehár: Die Lustige Witwe Count Danilo Danilovitsch 24 hours Mörbisch 2018
Hindemith: Cardillac Cardillac 24 hours Landestheater Sazburg 2018
Ponchielli: La Gioconda Barnaba 24 hours Innsbruck, Tiroler Landestheater 2018
Verdi: La Traviata Giorgio Germont Das Meininger Theater 2017
Puccini: Tosca Il Barone Scarpia Opera Brasov 2017