Maria Di pasquale

Maria Di pasquale

Instrumentalist

pianist , harpschordist
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«“…..La giovane ed affermata concertistica ha dimostrato di possedere doti interpretative non comuni…attraverso una lettura attenta e diversificata…In quest'occasione la di Pasquale si è rivelata non solo un'ottima collaboratrice, ma soprattutto interprete sensibile, in possesso di una solida preparazione tecnico-stilistica."»
"La tribuna" (2016)
«“A plasticidade e policromia de som talvez as características mais evidentes de toque, às vezes até mesmo fantásticos, da pianista italiana Maria di Pasquale. Sensibilidade, sim, mas a técnica é algo arduamente adquirida. …..de uma forma admirável ….”»
(DIÀRIO DE NOTÌZIAS) (2016)
«“…. Maria di Pasquale si rivela interprete sensibile ed adeguata… è compagna accorta, sempre sollecita a sostenere il fraseggio vocale e ad assecondare ogni pausa del percorso a due.. La pianista ci offre un'immagine convincente, a tratti trasgressiva ed a tratti lineare, con qualche risvolto addirittura salottiero…ed è nell'interessante Three Page sonata per pianoforte, affidata alle sue cure, che si rivela ancora una volta interprete sensibile ed adeguata. "»
(il mattino ) (2016)
2016brasilian classical musicpianosolo

Bio


Pianist and harpsichordist, musician, explorer of sound universes, connoisseur of different cultures, traveler tout court, with a large wealth of personal and professional experiences, especially outside Europe.From Brazil to Japon, to Africa is pushed by the desire to know the people, the souls, the culture, other worlds other languages...she studied &nbspand graduated in Milan, with honors in piano at the Conservatory, under the guidance of Alberto Ferrari.With Romanini and Tramma has perfected the technique and later in Paris at the Conservatoire Europeen with Fidler and finally with the great Maestro Giorgy Cziffra.After the French experience has also graduated in harpsichord  and Vocal Chamber music; with first studying for four years with the Master Ottavio Dantone at the Conservatory of Lugano, then with Alvini (International Music Academy) and the Maesto Gilbert (masters at Conservatory of Music in Milan) and with Ruggero Laganà.Chamber music passionate expanded its training studying and working with the Masters Sirbu, Chiarappa, Sigrist and Brainin, not to mention the vocal music room, completed with Daniela Uccello for the Italian repertoire and Fidler for the French and German repertoireSpecializing in the repertoire of South American and in '900 Italian, plays solo and  in chamber ensembles not only to plan but also as a harpsichordist, in duo with voice and violin, each time with different performers, including violinist Tania Camargo Guarnieri Brazilian, Mauro Loguercio….She was the first pianist in Italy to propose the repertoire of Charles Edward Ives, receiving critical acclaim and audience and always in Italian premiere performed with Brazilian soprano Marcia Guimaraes  and T.camargo Guarnieri classical Brazilian music.She also has interpreted world premieres with Ennio Morricone Masters, Pasquotti, Greenbaum and Bonetti Amendola in Italy and abroad, and the first European performances of South American composers: Mignone, Camargo Guarnieri, Santoro, Guastavino, Nazareth, Nobre.she recorded for RAI Trade (The dream of Galileo), Pan-Pot records (Nazareth: Brazilian Soul), New Sounds (Vidi Aquam), she collaborated in Italy with Vatican Radio, Radio Rai 3 ( "The Music Room" and "three Suite" Radio), with Canale 5, with RETE4. In Brazil, for TV Cultura and Radio Camara, in Croatia for HTR.she has won prizes in international competitions by playing with the Trio Contrarco.She’s founder and artistic director of musical projects including: "ALLEGRO with SAUDADE" ©: on classical Brazilian Music  (here as well as a conductor of chamber orchestra), which had its Première in February 2016 at the Teatro Torlonia in Rome (Eademproduzioni). The project is sponsored by the Brazilian Embassy in Rome, IILA Institute, Itali-Brazil Association and the University Centre of Rome 3. "Alma and the other ..." © is a contemporary reinterpretation, in the form of theatrical-musical show, of the repertoire (at unknown times, and sometimes deliberately forgotten) of women composers; it's only piano pieces and piano and voice with the collaboration of soprano Ombretta Macchi. The project is sponsored by seven universities including that ones of Pesaro-Chieti and Grenoble."Coro AFRIQUE": aims to give children African Italians the opportunity to get closer to the African musical culture through the teaching of singing, drumming and dancing under the direction of Maria di Pasquale and great teachers and artists Africans, as positive examples where mirroring.Maria di Pasquale also is Professor at the University level: Teacher's Academic piano and chamber music at the International Academy of the Music Foundation of Milan Milan, equated Institution, Department Classical Music Section MIUR - AFAM (Alta Formazione artistic- Ministry of Education music, University and Research)She has taught courses on the interpretation of Italian chamber music and vocal chamber music, at the Federal University of Rio de Janeiro, the Federal University of Rio Grande Norte and the Federal University of Salvador de Bahia and some Masterclass at UNESP S. Paulo in Brazil and at the Villa Lobos Academy of Rio de Janeiro;and, recently, a Masterclass on vocal Brazilian Music in Milan and was invited to the First Congress on the Portuguese Language in the erudite music.Her  biography is present in the Encyclopedia DEUMM (Vol. Update no. 5 p. 141)
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Musical Work Role Jump-in ready? Company Year
brasilian classical music pianosolo 1 week theatre villa 2016