Julia Szproch

Julia Szproch

Soprano

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«"I would like to express how Julia Szproch was a great Vixen. The flexibility of her voice has to be compared to the flexibility of her body language. I had a greatest pleasure to coach her in that very specific part.Janacek wrote that character with the idea that She is the ideal woman into the most charming animal. There is one moment when the Fox tells her " You are the ideal modern woman". I think that Julia offered us the perfect combination of childish spontaneity (in the beginning of the opera) and female charm later. She was running all around the stage,singing a difficult part,without any kind of hesitation,or restriction. If i would have to recommend a Vixen in the future,it would be Julia!"»
IRENE KUDELA TEACHER AT THE ACADEMIE DE L'OPERA DE PARIS (2018)
«"I had the immense pleasure of working with Julia Szproch at the Paris Opera recently, an incredibly talented and gifted young singer. Children soloists from my choir, the Chœur d’Enfants Sotto Voce, in residence at the famous Théâtre du Châtelet here in Paris, took part in a marvelous production of Janáček’s The Little Vixen this year at the Bastille Opera. Julia Szproch sang the leading role and was hailed by the critics as an exceptional and upcoming talent. She greatly impressed the artistic team with her endless energy, her enthousiasm and willingness to give it her all, every day, for over a month. She has an absolutely beautiful voice, great pitch and intonation and a fantastic sense of musicality and phrasing. The children soloists just adored working her as did the entire creative team. She brought a freshness to the production that helped make the run at the opera a huge success. I sincerely hope that she will have the successful career that she deserves !"»
Scott Alan Prouty Artistic Director Chœur d’Enfants Sotto Voce (2018)
2017Fauré: PénélopePhylo
2017Haydn: Die SchöpfungGabriel
2016Mozart: RequiemSoprano
2015Handel: Messiah, Hwv 56Soprano
2014Mozart: Don GiovanniZerlina
2013Monteverdi: L'incoronazione Di PoppeaPallade / Damigella / Venere

Bio








Julia Szproch was born into a family of musicians in 1990 in Warsaw, Poland. Piano has been her great passion since she began studying it at the age of 7.  
 In September 2016 she finished her Master at the Fryderyk Chopin University of Music with distinction in the class of Prof. Ryszard Cieśla.
 She always wanted to be able to achieve every step in the most natural and harmonic way, so that her soul and personality will be growing with it.

In 2014 she passed the audition to  Chapelle Musical Reine Elisabeth and was taken under the wings of  Maestro Jose Van Dam and coaches like  Jocelyne Dienst-Bladin, Helene Lucas, Alain Garichot and Philippe Riga.  In December 2015 she sang Soprano part in first part of oratorio „Messiah” by G. F. Haendel in Palais Royal in Brussels for the Royal Family, conducted by Maestro Bart Van Reyn. In April 2016 she played and sang role of Bystrouska in the Amphitheatre of the Opéra de Bastille in Paris in a production of The Cunning Little Vixen, composed  by Leoš Janáček, conducted by Maestro Denis Comtet and with Charlotte Nessi as a stage director. In February 2017 she sang a part of Phylo in the opera „Penelope” by Gabriel Faure which was a production of Opera de La Monnaie, conducted by Maestro Michel Plasson on the stage of Bozar, Brussels.In March 2017 she sang Gala concert in BOZAR in Brussels conducted by Maestro Alexandre Bloch with Brussels Philharmonic orchestra.In June 2017 she sang Soprano solo part in The Creation of J. Haydn conducted by Bart Van Reyn with Concert d’Anvers orchestra. In 2017 and 2018 she performed  role of Zerlina in „Don Giovanni” directed by Charlotte Nessi, coducted by Javier Gonzáles Novales  with the theater promenade de Justiniana in France.  In December  during the festival in Flagey of  The Queen Elisabeth Music Chapell she has performed Ein Deutsches Requiem of J. Brahms under the direction of  Giancarlo Guerrero with Brussels Philharmonic Orchestra. In June 2018 she sang Stabat Mater of Pergolesi with baroque enseble Les Mufatti.  She also has covered role of Euridice in Contemporary music theatre piece "Orfeo & Majnun" in collaboration with opera La Monnaie, and in Aix En Provence she had to jump in during one of performances. That project will take place until 2021 in many European cities.




 







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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Janáček : The Cunning Little Vixen The Vixen (bystrouška, Sharp-ears) No Amphithéâtre Bastille 2018
Mozart: Don Giovanni Zerlina 1 week Ensemble Justiniana 2018
Brahms: Ein Deutsches Requiem, Op. 45 (german Requiem) Soprano 1 week Brussels Philharmonic ( Vlaams Radio Orkest) 2018
Pergolesi: Stabat Mater Soprano 1 week non 2018
Gluck: Orfeo Ed Euridice Euridice 1 week La Monnaie 2018