Jeffrey Hartman

Jeffrey Hartman

Spinto Tenor

"Without music, life would be a mistake"
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«"Jeffrey hartman as canio stood out, an angry bull to the red rag of nedda's adultery with Silvio, he could hardly contain his violent hurt... his full bodied and expansive voice was expressive and flexible, exposing wild pangs of jealousy."»
Alan yu, wordpress.com, bachtrack.com (Hong Kong) (2017)
«Calaf: "Jeffrey hartman, a very mature 'youth', beautiful tenor, present at all times, beautiful heights, fullness more then the Tatar prince of 2001 that we remember..."»
The chemnitzer (2017)
«Pinkerton: "Jeffrey hartman was suitably oleaginous at the outset, and effectively creepy in the scene leading to the consummation of the marriage. His strong, dramatic voice held up well, and managed to evoke at least a little sympathy in his remorse when he discovers butterfly's lifeless body."»
William rankin, opera canada (2017)
2019Bizet: CarmenDon José

Bio


Jeffrey Hartman, from Anderson Indiana in the United States and winner of numerous awards including, 2011 Wagner Society of New York Award Winner. His European debut in 2016 as Calaf in Turandot with Die Theatre Chemnitz. From there went to Osnabrück and worked with Walter Sutcliffe in Manon Lescaut in his role debut as Des Grieux where he received rave reviews for both his portrayal of his characters and singing. He joined the roster of the Lyric Opera of Chicago as Cavaradossi in Tosca in 2015. Following Chicago he made his house and role debut with Seattle Opera in 2015 as Bacchus in Ariadne auf Naxos and followed by a reprise in Palm Beach Opera in 2016. He also sang with Musica Viva of Hong Kong in the roles of il duca di Mantova in Rigoletto, Canio in I Pagliacci and Turridu in Cavalleria Rusticana. Reviews include, "a very mature "youth", beautiful tenor, present at all times, beautiful heights and fullness of sound", "immaculate with his soft warm timbre", "a vocal richness...acting importance...", "...stood out. An angry bull to the red rag of Nedda's adultery,...could hardly contain his violent hurt...full-bodied and expansive voice was expressive and flexible, exposing wild pangs of jealousy".
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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Bizet: Carmen Don José Opera Wroclawska 2019
Offenbach: Les Contes d'Hoffmann Hoffmann 1 week Berlin 2018
Offenbach: Les Contes d'Hoffmann Hoffmann Passagio Oper Berlin 2018
Puccini: Manon Lescaut Chevalier des Grieux Immediately Theater Osnabrück Und Osnabrücker Symphonieorchester 2017
Leoncavallo: Pagliacci Canio 24 hours Compania Lirica Nacional (Costa Rica) 2017

Awards

Wagner society of new york award winner
2017
2nd place, peter elvin's Competition
2017
3rd place, new jersey association of verismo opera compeittion
2017
1st place, dicapo opera theatre competition
2017
1st place, indianapolis matinee musicale competition, graduate voice division
2017
Ralph appleman award for most promising graduate voice
2017
1st place, national association teachers of singers: advance graduate division
2017