He started his vocal studies in Chile with Silvia Soublette (Institute of early music of Santiago), focusing on European renaissance and baroque music, then furthered his musical education in Vocal Performance (2007) and Vocal Pedagogy (2011) in the Escuela Superior de Canto de Madrid.
Jaime has been an active participant in courses and masters of technique and interpretation with Carlos Chausson, Teresa Berganza, Pablo Mielgo, Isabel Penagos (Caroline Foundation Scholarship), Ana Luisa Chova, Alan Branch (Príncipe de Asturias Foundation) Roberto Scandiuzzi, Gustavo Tambascio (International University Menéndez Pelayo, and Giancarlo del Mónaco (University of Alcalá de Henares).
Amongst his symphonic repertoire he has interpreted cantatas 4, 56, 82, 152 and the Magnificat by Bach, The Creation by Hadyn, Mozart's Requiem, Stabat Mater by Dvorak, Fauré's Requiem and Carmina Burana by Orff.
In the field of opera, he has a wide range of roles thanks to his vocal and stage versatility, specialising mostly in Mozartian and Bel Canto repertoire including Figaro (Le Nozze de Figaro), Leporello (Don Giovanni, Don Alfonso (Cosí fan Tutte), Dottor Malatesta (Don Pasquale), Dandini (Cenerentola), Figaro (Barbiere di Siviglia), Enrico (Lucia di Lammemoor), Belcore (L'elisir d'amore), Schaunard (Boheme), Padre (Hänsel und Gretel), Falke (Die Fledermaus), Rigoletto (Rigoletto), Giorgio Germont (Traviata), Bob (The Old Maid and the Thief), amongst others.
In 2013 he participated in the investigation and projection of "Virreynal Barroque" repertoire and also in bringing to light "Latin-American composers of the past twenty years" by making CD recordings, which were funded by the Chilean Government and the National Heritage of Spain.