Hubert Stolarski

Hubert Stolarski

High Lyric Tenor

www.hubertstolarski.com
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«Hubert STOLARSKI als Prolog und Quint weiß sich geisterhaft mit geradezu tänzerischer Leichtigkeit zu bewegen und wird stimmlich den Partien vollauf gerecht. Da gibt es keine angestrengten Töne, es ist glaubhaft, daß Quint Miles auch allein mit der Stimme in seinen Bann ziehen kann.»
http://mittelloge.de/szcze-04-06-2016 (2017)
2017Bizet: CarmenLe Remendado
2017Mozart: Le nozze di FigaroDon Basilio
2017Tchaikovsky: Eugene OneginLensky
2017Mozart: Cosi fan tutteFerrando
2017Leoncavallo: PagliacciBeppe
2016Britten: The Turn of the ScrewPeter Quint
2016Verdi: La TraviataAlfredo Germont
2016Lehár: Die Lustige WitweCamille de Rossillion
2016E. Kalman - Grafn MarizaTassilo
2015Strauss J.: Die FledermausAlfred
2015Orff: Carmina BuranaTenor
2015Donizetti: L'elisir d'amoreNemorino
2014Thomas: HamletLaerte
2013Britten: The Little SweepClem
2013Handel: Acis and GalateaAcis
2010Bellini: NormaFlavio

Bio


Hubert Stolarski graduated from the Ignacy Jan Paderewski Music Academy in Poznań in
the class of prof. Ryszard Karczykowski. While he was still a student he was
invited to cooperate as a guest singer with the Poznań Opera Theatre, where he
had the opportunity to participate in several productions.



After graduation he was associated with the Music Theater in Poznan, where he sang a
leading role in the following operettas: Alfred in “Die Fledermaus” by J.
Strauss, Orpheus in “Orphée aux enfers” by J. Offenbach, Camille de Rosillon in
“Die Lustige Witwe” by F. Lehar.



Since the season 2014/2015 he has become a solist of the Opera na Zamku in Szczecin. He
performed following parties: as Nemorino in “L’elisir d’amore” by G. Donizetti
(2015), as Tassilo in the operetta “Grafin Mariza” E. Kalman (2014), as Alfred
in “La Traviata” by G. Verdi (2016) and as Quint in “The Turn of the Screw” by
Britten (2016) and Remendado “Carmen” G. Bizet



He also cooperates with many Philharmonics where so far he made several opera recitals
and concerts of sacred music. The most important of them were Nelson Messe J.
Haydn (Festival Jerzy Waldorff in Radziejowice, 2011), Carmina Burana by Carl
Orff (National Philharmonic in Warsaw, Katowice NOSPR, 2015), Stabat Mater G.
Rossini (UNESCO, Paris)



His most significant professional event was also taking part in the first historical
recording of polish opera “Zamek na Czorsztynie” of Karol Kurpiński for DUX
Recording Producers together with the Sinfonia Iuventus orchestra.



In his artistic career he has cooperated with such renowned conductors as: Franck Chastrusse, Tadeusz
Kozlowski, Jose Maria Florencio, Tadeusz Wojciechowski, Mieczyslaw Nowakowski,
Agnieszka Nagórka, Marc Minkowski, Łukasz Borowicz, Paul Przytocki, Jerzy
Swoboda, Jerzy Wołosiuk, Marek Mos, Warcisław Kunc, Adam Klocek, Jacek Rogala,
Adam Banaszak, Marcin Sompoliński and Aurelio Canonici.

And directors: Michał Znaniecki, Natalia Babińska, Jaroslaw Kilian, Ignacio Garcia,
Natalia Korczakowska, Artur Hofman and Waldemar Zawodziński.
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Photos

CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Bizet: Carmen Le Remendado No Opera na Zamku 2017
Mozart: Le nozze di Figaro Don Basilio No 2017
Tchaikovsky: Eugene Onegin Lensky No 2017
Mozart: Cosi fan tutte Ferrando No 2017
Leoncavallo: Pagliacci Beppe No 2017

Awards

1 Place, Classic night, winterthure
2017
3 place, iuventus canti
2017
1 place, krystyna jamroz
2017
1 place, franciszka platówna
2017