Elizabeth Beers kataria

Elizabeth Beers kataria

Dramatic/Heroic Soprano

Soprano
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«"Senta, the object of his search, was sung with technical brilliance and breathtaking control by soprano Elizabeth Beers Kataria. Equally adept at capturing an engaging dramatic arc, Kataria played the hopeless romantic with an obsession for the Dutchman’s legend. [... ] the couple’s ensuing duet was operatic gold as they warily sized each other up. [ ... ] From the opening strains of the storm-tossed overture to the gripping finale, this "Dutchman" swelled with dramatic and musical intensity."»
(REVIEWED FOR THE SALT LAKE TRIBUNE BY ROBERT COLEMAN) (2016)
«"Ultimately, Strauss' opera is a contest of divas, Zerbinetta and Ariadne, the prima donna on the desert island of Naxos, played by Elizabeth Beers Kataria. Both she and Jung were superbly up to the occasion in the Act 2 opera-within-the-opera on Friday. Kataria was in lustrous voice, her big scene on the purity of death, Es gibt ein Reich, emerging in gorgeous warmth and eloquent phrasing. This was richly dramatic singing."»
(REVIEWED FOR THE TAMPA BAY TIMES BY JOHN FLEMING) (2016)
«"Elizabeth Beers Kataria is magnificent as the conflicted title character who learns the consequences of having your cake and eating it too. [...] Kataria's Manon wears her new station in life well. She seems born to this exquisite existence, and is the picture of confidence and grace as she dances and preens before Geronte and an enclave of admirers. [...] Kataria's Manon is pitiable as she wastes time trying to steal a few expensive things. Her desperation and Des Grieux's frustration is palpable..."»
(REVIEWED FOR AL.COM BY TAMARA IKENBERG) (2016)

Bio


Described as "refulgent toned” and “impressive,” soprano Elizabeth Beers Kataria, a two-time Liederkranz Foundation Wagner Division Vocal Competition finalist and recipient of a study grant from the Wagner Society of New York, is poised on the brink of an exciting career.  Recent performances include the Primadonna/Ariadne in Ariadne auf Naxos with St. Petersburg Opera, a reduced Ring Cycle with Opera Louisiane as Brünnhilde, and Senta in Der fliegende Holländer with Utah Festival Opera , a role that she also performed opposite Greer Grimsley in the title role with Opera Carolina .  In 2015, Elizabeth makes her debut as Manon in Manon Lescaut with Mobile Opera.  Her recent debut performance as Senta in Der fliegende Holländer was hailed as having been "sung with technical brilliance and breathtaking control..."; "UFOMT newcomer Elizabeth Beers Kataria is stunning as Senta.  [...]  Her soprano voice is lustrous and exquisitely expressive in the Dutchman's ballad that is the core of the opera's second act.  Ms. Kataria is also a gifted actress..."  Of her appearance as the Primadonna/Ariadne in Ariadne auf Naxos, she was said to be "in lustrous voice, her big scene on the purity of death, Es gibt ein Reich, emerging in gorgeous warmth and eloquent phrasing.  This was richly dramatic singing."Some of Elizabeth’s previous stage appearances include Woglinde in Das Rheingold, concert excerpts from the final scene of Salome, Leonore/Fidelio (Fidelio), Erste Dame (Die Zauberflöte), Cio-Cio San (Madama Butterfly), both Donna Elvira and Donna Anna (Don Giovanni), Countess (le nozze di Figaro), Magda de Civry (La Rondine), and concert performances of Massenet’s rarely performed Le Cid as Chimène.  Elizabeth has performed the title role in several productions of Suor Angelica; of her 2009 appearance with Chelsea Opera, former producer and host of NPR’s At the Opera wrote “Kataria ought to have quite a career before her, for she negotiated the twists and turns in Angelica’s character without a hitch, ... culminating in a shattering performance of the pivotal “Senza Mamma” which she traversed with an ease that belied its difficulty...”   With Chautauqua Opera, Elizabeth appeared as the Foreign Woman in The Consul, covered both the title role in Tosca and Leonora in Il Trovatore, and appeared in concerts with the Chautauqua Symphony.  Of her appearance with the Chautauqua Symphony, she was described as having a "a clear, pleasingly columnar dramatic soprano that showed admirable evenness in testing ensembles from Fidelio and Norma. […] Beers-Kataria has the vocal goods and becoming dignity.”  She has been a featured soloist in numerous other concerts and recitals, most notably as the soprano soloist in the Beethoven Missa Solemnis under the baton of the late Robert Shaw while still a student. Abroad, Elizabeth has appeared in concerts with Les Azuriales Opera Festival in the south of France, was awarded 1er Prix Femme in the 20ème Concours International de Chant de Marmande Lot-et-Garonne et de la Région Aquitaine (France), and participated in the final rounds of the 2011 Concorso Internazionale Musica Sacra in Rome supported by a grant from the New York State Foundation of the Arts.  Elizabeth is a graduate of the Eastman School of Music, has participated in two International Vocal Arts Institute Programs abroad, been a Resident Artist with the Pine Mountain Music Festival, and an Apprentice with Chautauqua Opera.

more at www.elizabethkataria.com



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Awards

1er Prix Femme / 20ème Concours International de Chant de Marmande
2016
Wagner Division Finalist - Liederkranz Foundation Vocal Competition
2016
Grant Recipient - New York State Foundation of the Arts Strategic Opportunity Stipend
2016
REMIER PRIX FEMME - 20ÈME CONCOURS INTERNATIONAL DE CHANT DE MARMANDE
2016