Dorian Mccall

Dorian Mccall

Lyric Bass-Baritone

On time, in tune, "rich and flexible tone"
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2017Donizetti: Don PasqualeDon Pasquale
2017Handel: Acis and GalateaPolyphemus
2017Handel: Messiah, HWV 56Bass
2017Mendelssohn: Elijah, Op. 70Elijah
2017Puccini: ToscaCesare Angelotti
2016Puccini: Gianni SchicchiGianni Schicchi
2016Mozart: Le nozze di FigaroFigaro
2016Tchaikovsky: Eugene OneginPrince Gremin
2016Bach J.S.: Johannespassion, BWV 245 (St John Passion)Herodes
2016Sullivan: PatienceReginald Bunthorne
2012Brahms: Ein deutsches Requiem, Op. 45 (German Requiem)Baritone
2012Sullivan: The Pirates of PenzancePirate King


Bass-baritone DORIAN McCALL has been described as having a “warm, even baritone” with a “rich and flexible voice,” recognized as having “great style, musically and physically” on stage (MONC) and is a 2017 Career Bridges Encouragement Grant recipient. In the current season Mr. McCall debuted as the titular characters in Mozart’s Le nozze di Figaro at the Blooming Voce Opera Workshop and Puccini’s Gianni Schicchi and covered Donizetti’s Don Pasquale with OU Opera. He also debuted as Polyphemus in Handel’s Acis and Galatea. He was also the Bass-baritone soloist for Bach’s BWV 211 with the Enid Symphony and Schumann’s Requiem with the Symphony of Southeast Texas. In the 15/16 season, Mr. McCall debuted as Reginald Bunthorne in Gilbert and Sullivan’s Patience with Cimarron Opera, Prince Gremin in Eugene Onegin by Tchaikovsky, and Booker T. Washington, while covering Coalhouse, in Ragtime by Terrence McNally with the University of Oklahoma’s respective theatres.  He was the Bass-baritone soloist for Saint-Saëns’Christmas Oratorio and Bach’s St. John’s Passion in the sacred series of McFarlin UMC with the Norman Philharmonic and a recitalist for the Chamber Music Series of Calder Baptist Church. An alumnus of Lamar University, Mr. McCall is remembered as the Bass-baritone soloist for Vaughn-Williams’ Serenade to Music and student soloist for Orff’s Carmina Burana, both with the Symphony of Southeast Texas, David in Barber’s Hand of Bridge, Sarastro in Mozart’s Die Zauberflöte, and Der Kadi in Gluck’s Der Betrogene Kadi with Lamar Opera Theatre, as well as Mordred in Camelot, Miles Gloriosus in A Funny Thing Happened on the Way to the Forum, and most fondly as the Pirate King in Gilbert and Sullivan’s Pirates of Penzance at Beaumont Community Players before earning his Bachelor’s of Music Education in 2015. Mr. McCall is currently continuing his education at the University of Oklahoma in Norman, OK and studying with baritone, Kim Josephson.
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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Donizetti: Don Pasquale Don Pasquale No OU Opera 2017
Handel: Acis and Galatea Polyphemus Immediately OU Collegium Musicum 2017
Handel: Messiah, HWV 56 Bass 1 week Westminster Presbyterian Church 2017
Mendelssohn: Elijah, Op. 70 Elijah No 2017
Puccini: Tosca Cesare Angelotti No Painted Sky Opera 2017