Denis Sedov

Denis Sedov

Bass

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«Opera News hails Denis Sedov for “tall and commanding, gifted with a splendid physique and a bass to match” and his ability to “seduce with his voice as well as with his presence.”»
Opera News , USA (2017)
2017Mozart: Don GiovanniIl Commendatore
2016Rossini: Il Barbiere di SivigliaDon Basilio
2016Verdi: AidaRamfis
2016Monteverdi: L'incoronazione di PoppeaSeneca / Littore
2015Mozart: Don GiovanniDon Giovanni
2015Mozart: Don GiovanniLeporello
2014Boito: MefistofeleMefistofele
2011Puccini: La BohèmeColline
2011Tchaikovsky: Eugene OneginPrince Gremin
2010Mozart: Die ZauberflöteSarastro
2010Bizet: CarmenEscamillo
2006Handel: Ariodante1Il re di Scozia
2000Bellini: La SonnambulaCount Rodolfo

Bio






Mr. Sedov’s recent international engagements include his debut with the Royal Opera House at Covent Garden as Figaro in Le nozze di Figaro, Basilio in Il barbiere di Siviglia with New Israeli Opera, the title role of Boito’s Mefistofele in a return to the Orquestra Sinfônica do Theatro da Paz, Leporello in Don Giovanni under the baton of Riccardo Muti at Teatro alla Scala, and Colline in La bohème at Paris Opera. Also in Paris, he sang the title role in Don Giovanni and Count Rodolfo in La sonnambula at the Opéra Comique as well as in Florence. Further performances include Il Re di Scozia in Ariodante at the Gran Teatre del Liceu in Barcelona, Don Profondo in Il viaggio a Reims with La Monnaie, Timur in Turandot at Opéra de Montréal, King Henry VIII in Anna Bolena in Torino, Selim in Il turco in Italia in Marseille, Mustafa in L'italiana in Algeri with Opéra du Rhin, Walter in Luisa Miller in Bordeaux, the tutor in Le Comte Ory in Toulouse, Oroveso in Norma and Colline in La bohème at the Teatro Colón, Don Giovanni at the Teatro Municipal de Santiago, Rossini’s Maometto Secondo in Strasbourg, Colline in La bohème, more performances of Ariodante with Les Musiciens du Louvre, Sarastro in Die Zauberflöte with Opéra de Lyon, Frere Laurent in Roméo et Juliette with L'Opéra de Montreal and at the Teatro Municipale Giuseppe Verdi di Salerno, and Escamillo in Carmen with the Asociacion Gayarre Amigos de la Opera in Pamplona. He has also sung further performances of Sarastro in Die Zauberflöte and Seneca in Monteverdi’s L’incoronazione di Poppea at Aix-en-Provence in a production that he repeated in Vienna and Paris as well as Somnus in Semele at the Aspen Music Festival. Additionally, he created the role of Ledo Jiménez in the world premiere of Carlos Vázquez’s La mina de oro in San Juan, Puerto Rico.



He made his Metropolitan Opera debut as Colline in La bohème
after having been one of very few non-American singers ever invited to
join the company’s prestigious Lindemann Young Artist Development. He
has since joined the company Orlick in Mazeppa and on tour in Japan for its production of Don Giovanni. Other American engagements include Nourabad in Les pêcheur de perles with Washington National Opera; Raimondo in Lucia di Lammermoor with Pittsburgh Opera, Giorgio in I puritani with Seattle Opera; Escamillo in Carmen and Achilla in Giulio Cesare with San Francisco Opera; Sarastro in Die Zauberflöte with Atlanta Opera; Assur in Semiramide with Minnesota Opera; Leporello in Don Giovanni with Palm Beach Opera; Méphistophélès in Faust, Gremin in Eugene Onegin, Colline in La bohème, and Lodovico in Otello with Cincinnati Opera; and Il Re in Aida at the Aspen Music Festival.



He recorded Handel’s Ariodante with Marc Minkowski conducting Les
 Musiciens du Louvre (Deutsche Grammophon). He also recorded the role
of Soliony in the world premiere of Trois Soeurs by Peter Eötvös
(Deutsche Grammophon), having originally performed by the role at Opéra
de Lyon and the Chatelet. He also joined the Cleveland Orchestra
conducted by Pierre Boulez for Berlioz’ Roméo et Juliette (also on Deutsche Grammophon) and the Atlanta Symphony Orchestra for Colline in La bohème conducted by Robert Spano (Telarc).



Denis Sedov is an equally engaging concert singer, and recently joined
Christoph Eschenbach and the L’Orchestre de Paris for Mahler’s Symphony No. 8
 (performances of which have been released commercially on DVD) as well
as the Quebec Symphony and Vancouver Symphony for the same work. He has
sung Chamberlain in concert performances of Stravinsky’s Le rossignol
 with Robert Spano conducting the Atlanta Symphony Orchesra in Atlanta
and on tour to Carnegie Hall in addition to joining the orchestra for
Rachmaninoff’s The Bells. He also also sung Seder Leader in Dessau’s Hagadah Shel Pesach with the American Symphony Orchestra at Carnegie Hall, Mendelssohn’s Elijah and Berlioz’s L’enfance du Christ at the Spoleto Festival U.S.A., Mozart’s Requiem with the Orquestra Sinfônica Brasileira, Shostakovich’s Song of the Forest at the Grant Park Music Festival, further performances of Rachmaninoff’s The Bells with the Orquesta del Palau de la Musica in Valencia, Prokofiev’s Ivan the Terrible with the Orquesta Filarmónica de Málaga, and the world premiere of Carlos Alberto Vazquez’s Requiem Domesticus at the Casals Festival in Puerto Rico. He sang Haydn’s Creation
 for the Vlaamse Opera in Antwerp with Minkowski conducting and in
Bordeaux. The bass made his debuts with the Los Angeles Philharmonic
singing Verdi’s Requiem and San Francisco Symphony with Beethoven’s Symphony No. 9. He has also appeared with major orchestras throughout Israel including the Israel Philharmonic Orchestra in Berlioz’ Damnation of Faust and Verdi’s Otello under the baton of Pappano. He sang Zoroastr in Orlando and Bach’s St. Matthew Passion with Al Ayre Español. A worldwide audience of television viewers saw Mr. Sedov sing the Beethoven’s Symphony No. 9 in Japan conducted by Seiji Ozawa as part of the winter Olympics in 1998.





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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Mozart: Don Giovanni Il Commendatore Immediately 2017
Rossini: Il Barbiere di Siviglia Don Basilio Immediately 2016
Verdi: Aida Ramfis 24 hours 2016
Monteverdi: L'incoronazione di Poppea Seneca / Littore Immediately 2016
Mozart: Don Giovanni Don Giovanni Immediately 2015