Anna Viemeister

Anna Viemeister

Dramatic Mezzo-Soprano

Being a Musician is my life's calling and I am dedicated to providing a world class experience to my audiences- No exceptions!
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«Anna developed her ever warming voice where she was “destined perhaps for heftier assignments…” (NYT)»
New York Times (2018)
«Anna Viemeister showed plenty of poise to go along with her rich, sound. Her last passages, sung while lying flat on her back, were riveting. I heard audience members blowing their noses – a sure sign Viemeister’s Mimi has touched their emotions.»
Zachary Carstensen (2018)
«Dramatic VOICE Anna Viemeister stunned us with "Vieni t'affretta" from Verdi's Macbeth. Not only was her instrument compelling in its intensity but she convinced us of the qualities of the power hungry character--powerful but seductive and manipulative. Her fioritura shone in the cabaletta.»
Voce di Meche (2018)
2018Rossini: Il Barbiere di SivigliaBerta
2018Purcell: Dido and AeneasDido
2018Purcell: Dido and AeneasSorceress
2018Purcell: Dido and AeneasDido
2018Mozart: Don GiovanniDonna Elvira
2018Gounod: FaustFaust
2017Mozart: Don GiovanniDonna Elvira
2017Verdi: MacbethLady Macbeth
2017Humperdinck: Hänsel und GretelGertrud
2016Verdi: Don CarloLa princesse Eboli
2016Mozart: Le nozze di FigaroMarcellina
2016Wagner: Die WalküreFricka
2015Offenbach: Les Contes d'HoffmannGiulietta
2015Wagner: Der fliegende HolländerSenta
2014Leoncavallo: PagliacciNedda
2010Mozart: Cosi fan tutteDorabella


Anna Viemeister Mezzo Soprano

A graduate of the Manhattan School of Music, Anna has been praised
for delivering her warmth, engaging presence, musicianship and intensity of
sound to countless audiences on the stages of New York City, the Pacific North West,
Bulgaria and Germany. This Year Anna is Thrilled to be extending her reach to Tuscany for the International Lunigiana Music Festival!

Anna developed her ever warming voice  where she was
“destined perhaps for heftier assignments…” (NYT),  serving perhaps as a
precursor to her eventual homecoming to the mezzo repertoire.

Recent NYC Credits include  Don Carlo (Eboli)  VPOpera,
Suor Angelica (Principessa) NY Lyric,  Die Walkürie (Fricka) NY Lyric
Opera,  Pagliacci (Nedda VPNYC), Don Giovanni (Donna Elvira/Anna), Dido
and Aeneas (Dido/Sorceress) NY Lyric Opera/Da Ponte Soloists, Tales of Hoffmann
(Giulietta) VPNYC, Le Nozze di Figaro (Marcellina) LI Opera/NY Lyric
Opera, Barber of Seville (Berta) VPOpera, Rigoletto (Giovanna) Amore
Opera, Mozart Requiem (Mezzo) VPOpera,  and Rossini Stabat Mater (Mezzo
soloist VPNYC.).

Complete list can be found:
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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Rossini: Il Barbiere di Siviglia Berta 1 week 2018
Purcell: Dido and Aeneas Dido 1 week 2018
Purcell: Dido and Aeneas Sorceress 1 week 2018
Purcell: Dido and Aeneas Dido Civic Auditorium Columbia River Gorge 2018
Mozart: Don Giovanni Donna Elvira Virginia Theatre 2018