Anna Gomà

Anna Gomà


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«The standout performance of Suor Angelica and indeed of the evening was Anna Gomá» (2017)
«She was full of the drama and tragedy of her character, is a natural actor and has a voice to match» (2017)
«Resulta un verdadero placer escuchar a esta mujer de voz arrolladora» (2017)
2018Bizet: CarmenCarmen
2018Gounod: FaustSiébel
2017Rossini: Stabat MaterSoprano
2017Mascagni: Cavalleria RusticanaLola
2017Mozart: Apollo et HyacinthusApollo
2017Bizet: CarmenCarmen
2017Mozart: RequiemAlto
2017Mozart: Mass K.317, C major (Coronation)Alto
2016Verdi: La TraviataFlora Bervoix
2015Donizetti: L'elisir d'amoreGiannetta
2013Pergolesi: La Serva PadronaSerpina
2012Donizetti: L'elisir d'amoreGiannetta
2012Donizetti: L'elisir d'amoreGiannetta


    Anna Gomà, born In Barcelona, diploma in drama from Col.legi de Teatre de Barcelona and pedagogue entitled of musical method Edgard Willems. As an actress has played main roles in Divinas Palabras by Valle-Inclán, Pervertimento by Sanchis Sinisterra and El bon doctor by Chéhov, among others.

    She debuts in singing world as a soloist in assemblies organized by the education department from Gran Teatre del Liceu, like Regals, El bosc de Farucarun or Lisistrata and she finishes her singing studies in Joaquin Rodrigo Conservatory of Valencia.

    Anna worked with international conductors, as Antoni Ros Marbà, Luis Fernando Malheiro, Adam Szmidt, Hans-Friedrich Härle, Andrés Juncos, Pablo Assante, Manuel Valdivieso, Borja Quintas, Franco Giacosa, Ricardo Estrada and Ignacio Abalós, singing both in theatres and in Concert halls, like Malfitana’s hall in Verona, Zaragoza’s Auditorium, Alfredo Kraus’s Auditorium, Tenerife’s Auditorium, Mozart’s hall, Nova Fenice Theatre, Madrid’s National Auditorium, Manuel de Falla Auditorium, Castellón Auditorium, Teatro Amazonas in Manaus, Jovellanos Theatre in Gijón, Clasac Theatre and Droighead Arts Centre theatre in Dublín or Burg Heusenstamm. Highlight her performances with Constança National Theatre Orchestra, Rhein-Main Philarmonie, Orquestra Filarmónica Marchegiana, Orquesta del Reino de Aragón, Giulio Zappa and Manuel Brugueras.

    in her big repertoire, he has debuted, among others, Siebel in Faust in Teatro Amazonas, Carmen in Carmen in Zaragoza’s Auditorium and with Rhein-Main Philharmonie, Lola in Cavalleria Rusticana with Harmonía Simphony Orchestra, Mozart’s Requiem, Stabat Mater from Rossini in Manuel de Falla Auditorium, Jenkins Requiem in National Auditorium, Apollo in Apollo et Hyacintus from Mozart, Mozart’s Coronation Mass, Suor Angelica, Flora in La Traviata with Harmonía Simphony Orchestra, el oratorio Joshua de Haendel, Giannetta in L'Elisir d’amore, El Barberillo de Lavapiés, Serpina in La serva padrona from Pergolesi, as well as different concerts in Verona, Alemania, Madrid, Barcelona, Valencia, Jaen, Oviedo, Teatro Nova Fenice di Osimo and Sofia.

    Recently she was awarded with the First price in Concorso Elsa Respighi in Verona(2015), Jury Price in Concours de chant Canari (2017), Saô Pablo price in Concurso Auditorio de tenerife, Best Zarzuela singer (2016) and Premio Fundación de la Zarzuela (2014) in Concurso Internacional Ciudad de Logroño and was one of the finalist in Concurso Alfredo Kraus (2017).

    In the next month she is going to perform, Mercedes in Carmen in Teatro Campoamor in Oviedo, Concert with Ainhoa Arteta in National Auditorium from Madrid and Carmen with Opera Classica in Germany and in Canadá

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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Bizet: Carmen Mercédès Opera De Oviedo, Teatro Campoamor 2019
Bizet: Carmen Carmen 24 hours 2018
Gounod: Faust Siébel 24 hours Teatro Amazonas, 2018
Rossini: Stabat Mater Soprano 24 hours 2017
Mascagni: Cavalleria Rusticana Lola Immediately 2017


First price Elsa Respighi - verona
BeSt Zarzuela Singer - logrOño
Fundacio de la zarzuela
Jury honor mention - Iseo
Contract Opera SÃo pablo
Special jury price (Canari)