Ana Troncoso

Ana Troncoso

Lyric Soprano

"..Ana bare Puccini's opera and exposes the soul of the sweet and unfortunate Cio-Cio-San on the scene. She is an emotional bomb, which does not need major arguments to stir up the feelings of the spectator. " Diario de Cádiz
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«"Their interaction was so perfect that the audience forgot the time and space given to all the wonderful music"»
Kurier (Germany) (2016)
«"Her voice is powerful, fresh, well-pitched and runs the fretboard without fail [...] When one doesn´t see and hear that voice to sing with such fortitude and strength of expression, imagination runs alone [...] She is a soprano so I dare say without fear of contradiction, seldom have heard in Spain another one. With powerful voice, both in the high register and in the grave, sings with great feeling."»
sanlúcardigital (2016)
«"Beauty is the voice of Ana Troncoso."»
diario bahía de cádiz (2016)
2018Purcell: Dido and AeneasFirst Witch
2018Puccini: Madama ButterflyCio-cio-san (madama Butterfly)
2018Puccini: Il tabarroGiorgietta
2018Puccini: Madama ButterflyCio-cio-san (madama Butterfly)
2017Puccini: ToscaFloria Tosca
2017Puccini: ToscaFloria Tosca
2016Verdi: La TraviataVioletta Valéry
2016Puccini: Madama ButterflyCio-Cio-San (Madama Butterfly)
2016Puccini: ToscaFloria Tosca
2016Donizetti: L'elisir d'amoreGiannetta
2016Bizet: CarmenMicaëla
2010Verdi: La TraviataAnnina
2008Britten: Noye's FluddeSem


On stage, she was Cio-Cio-San for the second time on Juny with an excellent acclaim by art critics and audiences alike. She has sung Tosca, for the second time, on August in Monclova Castle (Sevilla). She collaborates with the company Staff Opera Club in creating lyrical performances, worth noting are her performances in Destino Verdi, which she plays Violetta Valery and Gilda, of "Rigoletto" and "La Traviata", respectively, by the master Giuseppe Verdi, in Villamarta Theatre; Giannetta "Elisir d'amore" by G. Donizetti, Gran Teatro Falla; Sacerdotessa, "Aida" by G. Verdi in the Villamarta Theatre. She was featured in the role of Shem in "Noah’s Flood", by B. Britten, for two seasons in the Villamarta Theatre (Jerez de la Frontera);  she was Annina in "La Traviata", by G. Verdi; and Suor Genovieffa in "Suor Angelica", by G. Puccini, in the Villamarta Theatre.
She´s a remarkable sacred music repertoire interpreter. Worth noting are her performances in Misa de San Juan de Dios, by J. Haydn, Kyrie a Cinco con Violines, by Juan Domingo Vidal, Ostro picta and Gloria, by A. Vivaldi, Haendel´s Messiah and Dixit Dominus, Noël´s Oratory by C. Saint-Saëns in Falla Great Theatre , Mathew Passion, Cantata 51 and 199 by J. S. Bach, inter alia. She also took  part in the works to recover the artwork music of Mariano Rodríguez de Ledesma, led by Master Juan Manuel Pérez Madueño, singing his Completas for the “X Festival de Música Española de Cádiz” and the Bicentenary Commemoration of the Cadiz Courts. And in the recent editions of the Festival, she interprets The Seven Last Words of Christ on the cross the cross, J. Haydn, Mozart Requiem and Te Deum Nicolas Zabala, as a soloist soprano.
Furthermore, she has offered various recitals seeking to promote the Spanish music in cities like London, Dublin, Paris, Barcelona, Madrid, Sevilla and Cádiz, performing pieces of Joaquín Turina, Enrique Granados, Manuel de Falla and Julio Osma. In 2016 several professional engagements take her to sing to cities in Schleswig-Holstein (Germany).
Spanish Soprano Ana Troncoso studied singing at the “Real Conservatorio Manuel de Falla de Cádiz”, and received masterclasses from Soprano Montserrat Caballé and Tenor Giacomo Aragall, Valle Duque, and receiving advice from Málaga Baritone Carlos Álvarez . She also learned interpretative techniques for opera singers from masters Miguel Ortega and Manuel Burgueras. She is presently perfecting her skills with Professor Francesca Roig. She also studied classical dance at the Conservatorio de Sevilla, while working with various amateur dance and drama groups whose corporal expression sketchs were included in the repertoire list of the “Centro de Documentación de las Artes Escénicas de Andalucía”.
She has worked with high standing directors like David Levi, Vladimir Chernov, Elena Herrera, Juan Luis Pérez, Enrique Patrón de Rueda, David Jiménez Carrera or Pedro Vázquez inter alia.

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CV & Repertoire

Musical Work Role Jump-in ready? Company Year
Purcell: Dido and Aeneas First Witch 24 hours Ensemble "Solistas de Sevilla" 2018
Puccini: Madama Butterfly Cio-cio-san (madama Butterfly) 24 hours Opera de Cadiz 2018
Puccini: Il tabarro Giorgietta Immediately Madrid 2018
Puccini: Madama Butterfly Cio-cio-san (madama Butterfly) Auditorio de Bornos 2018
Puccini: Tosca Floria Tosca 24 hours Ensemble "Solistas de Sevilla" 2017